1. |
looking for glass
07:22
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2. |
transducer-shifter
08:37
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3. |
guest
06:53
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4. |
associative-interference
11:16
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5. |
have my sleep
09:03
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eves
eves is the solo noise-musical project of audiovisual artist edwina stevens.
eves reflects on connection to Places
through improvisation, memory and the incidental - the textures, accumulations and overlaps in found acoustic possibilities - as resonances and liminal wanderings between emotive sonic happenings - to wander off, to come together in cohesion for a moment, to wander away again.
... more
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Vector Fields Vol. 2
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Sit back. relax. Then press play, and let yourself be taken away, to far off places.
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supported by 6 fans who also own “looking for glass”
Like weather, "Voler" shifts between the calm before the storm and the ecstatic relief of rain. The piano is delicate, gently propulsive and thoughtful, while the spoken interludes are a revelation, jolting and poetic.
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supported by 6 fans who also own “looking for glass”
A refreshing shower in chrome. The naked Bushla, luvin’ it.
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In the music of Paul Jordan, digitally manipulated field recordings become striking electronic songs that feel eerie and surreal.
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Linoleum (Original Motion Picture Soundtrack)
by Hark Madley
The score for the quirky film starring Jim Gaffigan and Rhea Seehorn uses a lush pallette of synths to evoke a wide range of moods.
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Joy Helder's latest EP is delicately sound-designed ambient techno inspired by lived environments.
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supported by 5 fans who also own “looking for glass”
This album is absolutely mind-blowing, an ecstatic, immensely detailed, and overwhelming experience. Genre-defying, but: if you dig acoustic fingerpicking, metal of any kind, just intonation, vocoders, R Youngs' 'Sapphie', Solange, Magma, Coltrane with Elvin Jones, GRM, Claude Vivier, SOPHIE, any or all of 'em, this is sheer bonkers beautiful. Not one second wasted, not one second too long or too short. Don't hesitate just plunge in NOW. Favourite track: BOTH & ALL
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